I run Tune U, a tuning practice through improvisational sound. The short version: I help people sit down at a piano or a drum, play what they're actually feeling, and find their way back to themselves in about ten minutes.
I'm less interested in fixing people than in something quieter. How attention settles. How a real choice becomes available again. How we come back to ourselves when something essential has gone silent.

Years ago, in the middle of separating from my second marriage, I was at one of the lowest points of my life. I'd lost faith in most of what I'd ever leaned on, and I caught myself wondering whether it was even okay to be here at all.
The only thing that helped was the piano. I'd sit and bang on it for long stretches, in real grief. One night the loneliest part of me noticed something I couldn't explain away. The sounds coming back at me seemed to be saying, in sound, exactly how that part of me felt. Something could recognize how I felt and answer back in kind. I was not as alone as I'd believed.
The grief would wind down and I'd want something gentler, so I'd play toward that instead. The first time, the whole arc took twenty or thirty minutes. When I stood up, the agony had softened and the way forward felt possible again.
So I kept sitting down. Not a straight line of improvement, but things shifted in ways I could trust. One realization stayed with me: all it took was me and the piano. As long as I could reach the keys, I could fairly reliably find my way back to myself in about ten minutes. That felt like something I could rely on for a lifetime.
I learned to hold a room before I really knew what I was doing. Community rituals, drum circles, improv theatre, wilderness rites of passage. Rooms where the holding either lands or it doesn't, and where you find out fast whether you're actually listening or just running a program. That kind of pressure clarifies things.

20 years leading the house band at Jubilee! in Asheville NC + 15 years leading a successful wedding/party band offered invaluable experiences playing and leading music in a wide variety of settings.
For over a decade I staffed and drummed for dozens of vision quests and grief rituals. The drum sets the container for supporting deep ritual process work. I was certified in wilderness-based rites of passage work through the Rites of Passage Council.


I have gained an immense amount of experience with improvisation playing music and acting with Asheville Playback Theatre.
In APT, we take stories from the audience and "play them back" onstage. Sometimes light-hearted, sometimes deep, we used artistic improv to enhance and entertain while always honoring the story.
From close to its inception for 10-12 years, I was one of the "core four" who catalyzed the rhythms for the Asheville drum circle.

I don't lead with those. They're background. But they have shaped beyond measure what I understand a container to be and what is involved in holding one honestly.

I care about how people are met here. There's no pressure to perform, no expectation to be insightful, no requirement to move faster than your life can carry.
Listening, feeling, and playing are treated as a living cycle, not a ladder. The work isn't to push through them in order. It's to notice where the timing has slipped, where you're racing past what you just heard, or sitting in a feeling with nowhere for it to go, and to let the timing come back.
Playing isn't something you add on top. It tends to arrive on its own once listening is present and the pressure is low.
I've spent decades as a musician, facilitator, and guide. One-on-one sessions, ongoing groups, live rituals, community rooms. Since the early 2000s I've worked with thousands of adults, and the through-line has always been the same: people learning to trust their own timing when something real is happening.
What I've watched, again and again, is that this doesn't stay private. When a person comes back to themselves, something travels. Their presence shifts the room. Their steadiness becomes available to the people near them. The way you listen at the keyboard is the way you start listening at the dinner table, in the hard conversation, in the meeting that matters.
The disconnection a person feels inside is the same distortion that frays relationships, communities, and the living world. The scale changes. The pattern doesn't. So the small, daily act of tuning yourself is not only personal. It's how steadiness spreads.
The contexts vary. The practice stays the same.
Whether you work with me or not, what matters most is that you practice aligning what you think, feel, say, and do in real time. That kind of coherence quietly nourishes your life and the lives around you in ways that ripple further than you can see.
Change comes from participation, not affiliation. If engaging with this practice feels like a good next step for you, begin here. If not, follow what feels alive and supportive. Either way, I wish you well.

If you're ready to take a next step, here's where each path leads.
You should never live in exile from your nature.
After inhabiting this practice, you won't.
PlayYourWay.us
You should never be exiled from your own nature.